Transpose up
(INTRO)
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
(VER)
Is it
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
me or is it m
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
y
imagin
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ation?
You keep pop
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ping up in cer
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
tain
situa
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
tions
I k
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
now we cut off al
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
l
communi
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
cation
But you leave tr
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
aces in different p
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
laces
I m
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ade my bed in ar
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ms that hold me tight
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
er
I’m hap
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
py I don’t ne
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ed to justi
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
fy it now
Yeah, I l
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ike a rush but now we just d
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
efy
it
Then I’m unwi
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
nding
(CHO)
Every time I find somebody
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
new
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
I hope that the m
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
emory of y
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ou
Will leave me alo
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ne
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
Yeah, every time I f
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ind somebody n
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ew,
yea
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
h
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
I hope that the m
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
emory of y
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ou
Will leave me alo
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ne
(POST CHO)
But you’re always an und
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
erton
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
e
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
You’re always an und
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
erton
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
e,
u
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
h
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
(VER)
I k
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
now that I’m the type for sentimental
But I’m t
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
rying not to get too exis
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
tential
Do I con
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
jure
it?
Or is it j
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ust coincidental?
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
And finally, fin
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ally,
fin
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ally,
hey
I’ve fa
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
llen deep, fall
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
en deep, yeah
On my k
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
nees, on my knees, on my kn
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ees
Beggin’ you, don’t let me forget you
(CHO)
But every time I f
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ind somebody n
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ew
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
I hope that the m
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
emory of y
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ou
Will leave me al
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
one
(I hope you leav
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
e
me)
Yeah, every time I f
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ind somebody n
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ew,
ye
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ah
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
I hope that the me
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
mory of y
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ou
will leave me alo
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
ne (Leave me alone)
(POST CHO)
B
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ut you’re always an un
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
derton
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
e
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
(All the time)
Y
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ou’re always an und
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
erton
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
e
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
(BRI)
And fin
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ally,
fi
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
nally,
fin
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ally,
hey
I’ve fa
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
llen deep, fallen de
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ep,
yeah
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
On my knees, on my knees, on my kn
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ees
Beggin’ you, don’t l
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
et me forget you
(CHO)
But every time I f
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ind somebody new
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
I h
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ope that the me
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
mory of yo
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
u
will leave me alon
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
e (I hope you leave me)
Yeah, ev
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ery time I find somebody n
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
ew
Ab
A
Bb
B
C
Db
D
Eb
E
F
Gb
G
I h
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ope that the mem
Bbm
Bm
Cm
Dbm
Dm
Ebm
Em
Fm
Gbm
Gm
Abm
Am
ory of yo
Fm
F#m
Gm
G#m
Am
A#m
Bm
Cm
C#m
Dm
D#m
Em
u
will leave me alon
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
e (Leave me alone)
(OUTRO)
But you’re always an und
Db
D
Eb
E
F
Gb
G
Ab
A
Bb
B
C
ertone